LDD-26 · South Gym Rebound + Acoustic Wall

Status: 🟢 LOCKED v1.0 — Peter's spec is internally consistent and disciplined. Air-gap items below are pre-construction reconciliation, not v1.0 blockers.

One-line intent

Calm athletic infrastructure: a two-zone south wall that takes ball impacts down low and absorbs reverb up high, all in the gym's restrained industrial language.

Design intent · AI render

FPO · AI render

Architectural intent render of the south gym rebound + acoustic wall — disciplined two-zone composition with the lower charcoal impact zone and upper faced-mineral-wool acoustic field, divided by a subtle shadow-gap datum at 16' AFF. For Position Only: AI-generated from the prompt below. Click to enlarge.

Architectural interior elevation rendering of the south gym rebound + acoustic wall — the LDD-26 system: a 35'-wide composition with a lower athletic rebound zone in soft charcoal, an upper acoustic moderation zone in faced mineral wool, divided by a subtle shadow-gap datum at 16' AFF, unified with the gym's three-layer lighting hierarchy. Photoreal head-on elevation view of the full 35' wall length, captured at calm late-afternoon ambient light. 16:9 aspect. No people in frame.

Framing. Eye-level head-on elevation view, ~24mm equivalent, centered on the 35' wall length. The wall fills the frame from floor to roof structure (24' AFF total height visible). Slight 3° rotation off pure orthographic so the shadow-gap datum at 16' AFF and the recessed panel reveals read clearly. Camera position implies the viewer is standing roughly in the center of the gym, ~25' off the wall.

Two-zone vertical organization (the subject of the render). The wall reads as two clearly differentiated horizontal architectural fields:

LOWER ATHLETIC REBOUND ZONE (floor → 16' AFF): plywood-based impact panel system across the full 35' width, finished in matte soft-charcoal coating (NRC of the coating is moderated, ball-visible, glare-controlled, hides wear). Panel rhythm is disciplined and modular, aligned with the PEMB structural girt order — read as a calm tectonic rhythm, NOT decorative checkerboard or arbitrary joint layout. Typical 4' or 5' panel module width. Joints between panels read as fine controlled reveals / hairline shadows, NOT exposed fasteners or visible kick-strips. No separate visible kick-strip at base — consistent visual system across full lower height. Subtle athletic floor-edge transition at bottom; no decorative vinyl base trim.

TRANSITION DATUM at 16' AFF: a restrained horizontal shadow-gap datum (~½"–¾") running the full 35' width. Reads as architecture, NOT as a wainscot or chair rail. The shadow gap is clean and continuous; no decorative trim, no contrasting band.

UPPER ACOUSTIC MODERATION ZONE (16' AFF → ceiling, ~10' tall): an acoustically absorptive architectural field across the full 35' width. Mineral-wool panel system with ball-tolerant facing — perforated metal scrim or microperf board in dark charcoal, calm matte finish. Reads as a quiet recessive field — softer in surface character than the lower zone, but not visually busy. NO recording-studio decorative aesthetics, NO exposed mineral wool, NO acoustic graphics or busy panel patterns.

Upper PEMB zone (top edge of frame). Glimpse of exposed dark-charcoal PEMB structure — primary purlins, secondary framing — coordinating with the acoustic field below. One or two suspended dark-charcoal acoustic cloud modules visible at the upper crop, recessed into the broader infrastructure band.

Unified three-layer lighting. UPPER INDIRECT LINEAR: concealed at the wall/ceiling junction, casting a soft downward wash across the upper acoustic field — atmospheric perimeter glow, no visible LED source. WALL SCONCES: three small, low-profile, matte dark-bronze sconces at human-scale datum (~7' AFF), distributed across the 35' wall length, casting warm low pools onto the lower zone. Restrained industrial form. LOW-LEVEL INDIRECT LINEAR: subtle concealed source near floor reading as reflected glow at the wall/floor transition, NOT a visible LED strip.

Floor (bottom of frame). Polished light-warm hardwood athletic floor with a faint volleyball court line marking running parallel to the wall at the bottom edge of frame. Clean base transition at the wall/floor edge.

Material palette. Soft-charcoal matte plywood impact panel system (lower zone), dark-charcoal microperf/perforated-metal-faced mineral-wool acoustic field (upper zone), dark-charcoal exposed PEMB structure, dark-bronze metal sconces, warm white-oak hardwood floor. Faint warm dimmable LED color. No bright sport colors. No glossy institutional finishes.

What this is NOT (critical). Do NOT render as a school gymnasium (bright white walls, painted basketball court stripes on the wall, FRP institutional panel aesthetic, fluorescent strip lighting). Do NOT render as a racquetball court (high-impact glossy white walls). Do NOT render with decorative sports branding, team logos, scoreboards, or motivational lettering. Do NOT show exposed mineral wool in the upper zone — the facing must read as a clean architectural surface, not an acoustic-treatment retrofit. NO checkerboard panel rhythm. NO arbitrary or chaotic joint layouts. NO visible wall sleeves, kick-strips, or applied wall-mounted athletic equipment. NO recording-studio diffuser shapes (no diamond or trapezoidal panels). NO bright primary colors. NO chrome or polished-steel sconces (they are dark bronze). NO visible LED strip lighting at any layer.

Style direction. Professional architectural visualization, photoreal, evenly exposed. Calm and quiet mood. Sharp focus throughout, no shallow DOF. The 16' AFF shadow-gap datum should read as the dominant horizontal organizing line. Should feel like the cover image of an architecture monograph illustrating "calm athletic infrastructure integrated into residential architecture," not a sports-facility marketing brochure.

Why this matters

The gym needs a south face that earns its keep three ways at once — takes a beating, kills the upper-volume echo, and stays visually calm. Get this wrong and the gym either feels like a school gym (institutional, harsh, echoing) or like a fragile architectural set piece that breaks under real use. Peter's two-zone strategy (rebound low / acoustic high) is the right framework: it does each job in the zone best suited to it, and the lighting language ties it back into the unified gym perimeter.

This is the paired sister wall to LDD-25 north gym ballet wall. Together they bracket the gym between the LDD-04 west gym hero wall (clerestory) and the LDD-03 spine wall (gym/living boundary).

Locked decisions

Two-zone organization (LOCKED)

Lower athletic rebound zone

• Behavior target: lively but moderated rebound, satisfying athletic response, controlled ricochet, reduced harsh slap echo
• Tolerates: volleyball, incidental futsal, general athletic and adaptive sports use
• Does NOT target: repeated basketball rebound drills, racquetball-grade abuse, projectile-resistant use, professional rebound-training infrastructure
• Assembly direction: plywood-based impact panel system + robust backing + controlled cavity behavior + concealed fastening where practical
• Prohibited: fragile MDF-only systems, institutional FRP aesthetics, exposed chaotic panel systems, glossy sports-wall finishes

Lower wall finish (LOCKED)

• Soft charcoal color
• Matte or low-sheen finish — glare-controlled, ball-visible, hides wear
• Prohibited: bright white, saturated athletic colors, glossy polyurethane gym aesthetics

Lower abuse strategy

• No separate visible kick-strip — consistent visual system across full lower height
• Durability comes from coating spec + touch-up-friendly paint, not visual segmentation

Panelization

• Disciplined modular layout, rhythm aligned with PEMB structural order + gym architectural hierarchy + lighting composition
• Prohibited: arbitrary rhythms, checkerboard sports aesthetics, chaotic joint layouts

Upper acoustic moderation zone

• Function: acoustically absorptive architectural field — reduce upper-volume reverberation, soften visual scale, support atmospheric lighting
• Material preference: inexpensive mineral-wool acoustic panel system — strong NRC per dollar, simple install, serviceable
• Visual intent: recessive, calm, integrated — no recording-studio decorative aesthetics, no exposed foam, no busy acoustic graphics

Transition datum at ~16' AFF (LOCKED)

• Restrained horizontal datum between lower rebound and upper acoustic zones
• Strategy: subtle shadow-gap datum (no decorative trim)
• Reinforces disciplined horizontal order; reads as architecture, not as a wainscot or chair rail

Lighting integration (unified with broader gym perimeter)

• Same three-layer hierarchy used on all major gym walls:
• Upper indirect linear — concealed at wall/ceiling junction, soft downward wash, atmospheric perimeter glow
• Wall sconces at human-scale datum — extremely small, low-profile, matte aluminum or steel, restrained
• Low-level indirect linear — concealed source near floor, reads as reflected glow not visible LED strip
• All layers warm, low-glare, dimmable, scene-controlled

Hidden future infrastructure

• Concealed anchor points + hidden mounting provisions integrated into the wall composition during construction
• Purpose: future adaptability without retrofit demolition
• Visually unobtrusive during normal operation

Maintenance + serviceability

• Touch-up-friendly paint spec
• Durable finishes that survive 50-year build
• Straightforward repair conditions — no high-custom detailing

Open items / requires engineer review

• Acoustic absorption target (NRC) not specified. "Mineral wool panel" covers a 0.65 → 0.95 NRC range depending on density, thickness, and facing. Pick a target (e.g., NRC ≥ 0.85 for the upper zone) and let that drive the spec — otherwise the cheapest panel buys cheap acoustic results.
• Lower-wall coating selection. "Touch-up-friendly paint" + "tougher lower-wall coating" can be at odds — industrial coatings (epoxy, urethane) don't always touch up cleanly because the new patch flashes against the cured field. Pick one spec or accept that touch-ups will be visible.
• Plywood-based impact panel system supplier. Specify the panel system (e.g., thickness, layer-up, edge profile, fastener pattern). "Plywood-based" is a direction, not a product.
• Mineral wool facing. Exposed mineral wool will be punctured by errant balls and degrade visually within months. Specify the facing (acoustically-transparent fabric, perforated metal scrim, or microperf board) and confirm it's rated for ball impact at 16'+ AFF.
• Shadow-gap datum dimension + detail. "Subtle" needs a number — typical shadow gap = ¼" to ¾". Detail with the upper-zone bottom edge return + lower-zone top trim so the gap reads continuous around the 35' wall length.
• Hidden anchor point grid. What loads do they need to take (climbing holds, future pull-up rigs, future basketball winch retrofit, projector screens)? Specify the grid spacing + the substrate behind the lower panel system that can take fasteners.
• PEMB girt coordination. Plywood-based impact panel system attaches to PEMB girts — confirm girt spacing matches the desired panel module, and that the girts are spec'd for athletic impact loads (most PEMB girts are sized for cladding, not for someone running into them).
• Coordination with LDD-04 west gym hero wall clerestory. The west wall's clerestory ends at some height — does the south wall's 16' transition datum align with the bottom of the clerestory, or with a different gym horizontal? Aligning them gives the gym a single horizontal datum; misaligning makes the room feel busy.

Cross-references

• ← LDD-01 structural — lower rebound panels attach to PEMB girts; girt spec must accommodate athletic impact loads.
• → LDD-04 west gym hero wall — adjacent gym wall; clerestory bottom should coordinate with the 16' AFF transition datum if possible.
• → LDD-08 lighting framework — unified gym perimeter lighting: upper linear + sconces + low-level linear.
• → LDD-09 electrical — circuits for all three lighting layers.
• → LDD-12 exposed ceilings — upper acoustic zone meets ceiling hierarchy at the top; the acoustic panel system must integrate cleanly with the exposed structure above.
• → LDD-18 interior materials — soft charcoal palette, plywood impact panel finish, mineral wool acoustic system.
• → LDD-22 basketball hoop system — hoop is on the west wall; this LDD explicitly does NOT target basketball rebound drills.
• → LDD-23 build rules — panelization rhythm follows PEMB structural order per the constraint discipline.
• → LDD-24 flooring — base condition + transition at floor edge.
• → LDD-25 north gym ballet wall — paired sister wall; together they define the gym's calm-vs-athletic mode balance.

Cost drivers

This is the cheapest of the four gym walls — the spec is intentionally cost-effective.

• Lower rebound zone — plywood impact panel system (~16' × 35' = 560 sf): $15–25/sf installed including framing, blocking at impact zones, fastening, soft charcoal coating = $8–14K. Plywood-based commercial gym panel kits run lower than custom assemblies.
• Upper acoustic moderation zone — mineral wool with acoustic-transparent facing (~10' × 35' = 350 sf at typical 26' ceiling): $10–20/sf installed = $3.5–7K. The "inexpensive mineral wool" call keeps this in the low-end-acoustic range; faced panel systems (e.g., Tectum, fabric-wrapped mineral wool) at the cheap end.
• Shadow-gap datum detail at 16' AFF: $0.5–1.5K trim/labor for the 35' run.
• Lighting (one wall's share of the unified three-layer gym perimeter): $2–4K fixtures + $1.5–3K labor for upper linear, ~3 sconces, low-level indirect.
• Hidden anchor provisions (blocking + fastener-rated substrate): $0.5–1K — incremental during framing.
• Touch-up-friendly coating spec premium (over standard wall paint): negligible if specified up front; $1–2K if upgraded after the fact.

Likely-case rollup: $16–30K for the complete wall.

For comparison: LDD-25 north ballet wall is $30–55K. The mirror wall does more (mirrors + barre + protective net + embedded sconces); the rebound wall is genuinely cost-effective infrastructure. The asymmetry is intentional.

Air-gap concerns

1. The "inexpensive mineral wool" call is fine IF acoustic targets are specified. Mineral wool from 1" to 4" varies hugely in absorption. Without an NRC target and a specific frequency band (gym noise is often mid-band, 500 Hz–2 kHz), the cheapest panel might absorb 0.5 at the target frequency — not enough to actually moderate gym reverberation. Lock NRC ≥ 0.85 minimum for the upper zone and let that drive material thickness + density.
2. Mineral wool needs a ball-tolerant facing. Bare or even fabric-wrapped mineral wool will be punctured by errant balls eventually, even at 16'+ AFF. Spec a perforated metal scrim, microperf board, or rigid fabric facing rated for impact. The "cheapest mineral wool" should NOT mean exposed wool.
3. Plywood impact panels need real athletic impact validation. Commercial gym plywood panel kits exist (e.g., Connor Sports, Robbins) — but they're sized for sport floors, not walls. Pick a wall-rated impact panel system or detail a custom plywood-on-blocking assembly with the framing engineer. "Plywood-based" + "robust backing" is direction, not spec.
4. PEMB girt impact loading is not standard. PEMB girts are typically sized for cladding wind loads (~25–35 psf design pressure). Athletic ball impact is a localized peak load (a hard volleyball can deliver ~50–100 lbf concentrated). Either spec a stiffer girt at the lower zone or add secondary blocking. Catch this in the PEMB order, not in the field.
5. Touch-up paint + tough coating is often a contradiction. Industrial-grade gym wall coatings (epoxy, urethane) are hard and abrasion-resistant but they don't accept touch-ups cleanly — the patch flashes and looks worse than the dent. Either (a) pick a satin/matte acrylic that touches up well but accept that it'll wear faster, or (b) pick the hard coating and accept that maintenance means re-coating a panel section, not touching up.
6. The 16' AFF datum needs a horizontal-alignment audit. Verify that the 16' transition lines up with the west gym hero wall's clerestory bottom, or with another major gym horizontal (window head, mezzanine edge from LDD-13). If it doesn't, the gym gets two competing horizontals and the disciplined calm intent slips.
7. "Hidden future infrastructure" must be detailed NOW, not deferred. Concealed anchor points only exist if blocking + fastener-rated substrate is installed before drywall/panels go up. Decide today: minimum grid spacing (4' × 4'? 2' × 2'?), load rating (50 lbs? 500 lbs?), and substrate type. Otherwise this LDD's "future flexibility" promise is theoretical — and 5 years from now a homeowner trying to mount a pull-up rig will discover there's nothing to bolt to.
8. Charcoal matte wall + ball visibility tradeoff. Soft charcoal hides scuffs and reduces glare — but it also reduces ball contrast for some sports (volleyball + futsal balls are often white/yellow; charcoal background is fine for those). Confirm with a paint chip + a ball in the actual lighting before locking the LRV (light-reflectance value). If LRV is too low (< 10), the wall reads as a void at night and ball tracking suffers.
9. Asymmetry with LDD-25 north wall is the design intent — but it bears stating. North wall = mirror + calm + recessed glass surface, vibration-isolated. South wall = plywood + rebound + acoustic, attached to PEMB. These two walls have opposite philosophies (isolated/calm vs. attached/active). This is correct for their functions, but verify the gym reads as a coherent room, not two halves of different rooms. Test by standing in the center and looking at both walls in the same field of view.

Diagram

35' south wall elevation — two-zone composition divided by 16' AFF shadow-gap datum, lower plywood impact panels in soft charcoal, upper faced mineral-wool acoustic field, unified three-layer lighting. Generated plan diagram from the SpicyRiceCakes architecture toolchain. Click to enlarge.

Status

🟢 Green — LOCKED v1.0. Spec is internally consistent and the two-zone strategy is sound. Air-gap items above are pre-construction reconciliation (acoustic NRC target, coating selection, future-anchor grid) — none change the v1.0 design intent. Highest-priority follow-ups before bidding: (1) lock NRC target for upper zone + select faced panel system, (2) confirm PEMB girt spec at lower zone, (3) document the hidden-anchor grid.